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Ed Ruscha Honey

16oz

Rated 5.0 out of 5

Based on 9 reviews

5.0 (9 reviews)

Ed Ruscha is a collection of beautiful contradictions. He’s one of the world’s most important artists with a career spanning six decades. He’s a giant in the art world, and an icon of Los Angeles. Yet Ed’s got gentle green thumbs, and cares deeply about the environment. He loves plants, and has been growing them out in the desert, in Yucca Valley, where he has a cabin. Back in his studio in Culver City, Ed has a small grove of citrus trees, adjacent to the LA river. It was here that we placed our bee hives last summer. While Ed was in his studio painting, our bees were dancing between the Kumquat and Lime Trees making the most of the LA sunshine.

It has taken us (and the bees) a year to harvest and bottle Ed’s honey. It’s as golden as an LA sunset, and with a deep, crisp taste. We have made 400 jars only, labeled with Ed’s iconic HONEY drawing (1979).© Ed Ruscha

100% of the profits will go to the Mojave Desert Land Trust to protect land, restore habitat and preserve native seeds. They defend the dark night skies, water, and critical species that make up a thriving desert ecosystem. We join with them to maintain the California landscape for generations to come.

Ingredients

100% Raw Honey
*Not Suitable For Infants Under 12 Months of Age

Taste

Sourcing

Our Impact

Limited-Edition Honey from Culver City, CA.

Ed Ruscha Honey

5.0

ADD TO BASKET - $75

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About Ed Ruscha

At the start of his artistic career, Ed Ruscha called himself an “abstract artist ... who deals with subject matter.” Abandoning academic connotations that came to be associated with Abstract Expressionism, he looked instead to tropes of advertising and brought words—as form, symbol, and material—to the forefront of painting. Working in diverse media with humor and wit, he oscillates between sign and substance, locating the sublime in landscapes both natural and artificial.

In 1956, Ruscha moved from Oklahoma City to Los Angeles, where he attended the Chouinard Art Institute. After graduation, Ruscha began to work for ad agencies, honing his skills in schematic design and considering questions of scale, abstraction, and viewpoint, which became integral to his painting and photography. He produced his first artist’s book, Twentysix Gasoline Stations—a series of deadpan photographs the artist took while driving on Route 66 from Los Angeles to Oklahoma City—in 1963. Ruscha since has gone on to create over a dozen artists’ books, including the 25-foot-long, accordion-folded Every Building on the Sunset Strip (1966) and his version of Kerouac's iconic On the Road (2009). Ruscha also paints trompe-l’oeil bound volumes and alters book spines and interiors with painted words: books in all forms pervade his investigations of language and the distribution of art and information.

Ruscha’s paintings of the 1960s explore the noise and the fluidity of language. With works such as OOF (1962–63)—which presents the exclamation in yellow block letters on a blue ground—it is nearly impossible to look at the painting without verbalizing the visual. Ruscha continues to influence contemporary artists worldwide, his formal experimentations and clever use of the American vernacular evolving in form and meaning as technology and internet platforms alter the essence of human communication. He represented the United States at the 51st Venice Biennale (2005) with Course of Empire, an installation of ten paintings. Inspired by nineteenth century American artist Thomas Cole’s famous painting cycle of the same name, the work alludes to the pitfalls surrounding modernist visions of progress.

Screenprint
12 1/2 x 40 13/16" (31.7 x 103.7 cm)
© Ed Ruscha